| Part 2 (Vybz Kartel feat.New Millenium (Vybz Kartel feat.The Struggle (Bounty Killer feat.Under Mi Sensi (Hollow Point feat.The legend and honour of the French touch is forever locked up in 1996, the time when Pansoul was released.Dis Poem shall disappoint you because Dis Poem shall ocntinue in your mind".Most dancehall fans will be delighted with this set, but also newcomers to the scene will definitely enjoy this splendid introduction to the latest dancehall sounds.Massive B Presents Big Tunez Vol.Cup) and soca star Bunji Garlin delivering the best tune over the riddim
with "Brrrt".Monster Twinz calling up all girls to shake their booties and
"Jiggle It".Wayne Wonder's gangsta anthem "No Time To Talk" come on extremely
strong as well."Where We Live" and veteran and Massive B
stalwart Burro Banton's archetypical "Da Streetz".For the first five years, New York house music basically was something like a local folklore.The house scene rested in itself and made no compromises.Horizon reached from the Westside over Greenwich Village through the Lower East Side to Brooklyn, not any further.Detroit techno grew in the kyrptic minds of alienated weirdos, who reacted out of a personal emotional and intellectual consequence to their strange surroundings.In 1987, the Garage closed its gate forever.DJ Timmy Regisford carried the torch.One DJ, however, epitomises more than any other the massive sounds and the unique spirit of the Wild Pitch parties:
Brooklyns Bobby Konders.In his spectacular mix, he threw in everything from reggae, hiphop, house to disco.You know, you into what homeboy is sayin and then the music slowly comes.This poem is to be continued in your mind.Konders house music always was extremly rooted, cultured and conscious.It used the semantics of reggae in more than just a musical way.Massive B he now only released 45 singles and compilations.We all bleed motherfuckin red.This wise DJ took the best and deepest from the diverse black musics that floated and circulated in the air of his neighborhood, just as he needed it for his specific mssion.The jamaican toasters liked it so much, that they not only allowed it, but more and more grabbed the mike exclusively for him.But its not about another retro phenomena.For a while, it got covered up by superficial nostalgic thrills, but in it lives a vital energy, that maybe only now can really manifest itself, after most of the disco ghosts have been exzorcised and sampled to death.His reggae show is still on air on NY Hot 97,7, he travels the world with his sound system, and rarely one of the dancehall fans knows, that this great selector was responsible for some of deep house music most inspired and inspirational moments.And that is, as Konders maybe would put it, again some motherfuckin nice shit.Doch erst der rund laufende, schwere Bass macht den Sound so richtig fett. |
