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Enrico Rava, Phil Woods, Lee Konitz Sextet |
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Info: Biography, Pictures, Discography of all CDs & DVDs |
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Join Now!Senator Robert Kennedy, who was gunned down by a cowardly assassin in the spring of 1968 in the midst of Kennedy's celebration of his presidential primary victory in California.The latter half of the session focuses upon works written by other jazz musicians.Ken Dryden
Phil Woods' second recording with pianist Enrico Pieranunzi's Space Jazz Trio is once again a meeting of jazz masters.Woods' reputation among greats of the alto sax needs no further commentary, but Pieranunzi and drummer , one of the finest musicians in Europe and a brilliant composer to boot, is deserving of greater recognition in the U.Gene Quill) as driving hard bop with great solos by both men and Pietropaoli.Woods' tremendous chops on clarinet, an instrument he plays only occasionally on recordings.Ken Dryden
Phil Woods is heard in a wide range of settings on A Jazz Life, a CD compilation issued by Philology, the Italian label named after the veteran alto saxophonist.Lee Konitz, who sits in with Woods' regular group (Steve Gilmore, Bill Goodwin, and Harry Leahey, though Mike Melillo evidently sat out this number).Woods also sits in with various pickup groups and larger ensembles.Although the fidelity varies widely in this anthology, it never falls below an acceptable level.This rare music should greatly appeal to fans of Woods.Konitz and Woods take turns in the spotlight during the long medley.Retrato em Branco e Preto.Woods' considerable skill as a composer.The contrast between the two alto saxophonists makes for interesting interplay, meshing Woods' robust melodic approach with Konitz's dryer, more dissonant style, while consistently producing great music.Andrea Pozza, Massimo Moriconi, and drummer Massimo Manzi.Carl Saunders in a CD tribute to Henry Mancini.Woods and Saunders put their own stamp on this slinky, swinging masterpiece.But most of the tunes aren't as well known.Crescent City, which had been nearly destroyed by Hurricane Katrina just a few weeks before the recording session.Ken Dryden
Phil Woods and Lee Konitz have performed together on occasion throughout their long careers, though relatively few have been recorded for commercial release.Fortunately, they played several sets together during the 2003 Umbria Jazz Festival in Perugia, Italy, so this Philology CD is one of four volumes which came from these concerts.The two musicians are easy to tell apart as Konitz's dryer, more dissonant style contrasts with Woods' boisterous, very melodic approach; yet together, they blend beautifully.Fans of either saxophonist will consider this CD to be an essential purchase.Ken Dryden
What looks on the surface to be a fairly straightforward set by Phil Woods and Lee Konitz during their several days performing together at the 2003 Umbira Jazz Festival in Pescara, Italy, is anything but that.Konitz playing a bit of piano as well.Humair) closes the set with a flourish.Coates, who isn't as well known because of his infrequent touring and recording, should surprise those not familiar with him and delight those who remember his earlier works.This is one of many highly recommended releases to come from Eric Doney's small but essential Pacific ST label; this CD can be obtained through www.Ken Dryden
It's little surprise that the Phil Woods Quintet shines during this collection of standards from the movies, but their fresh approach to each of these very familiar songs is what makes this release special.Ken Dryden
Among the surprises that producer Paolo Piangiarelli pulled on Phil Woods during a marathon seven recording sessions over a span of five days during the spring of 2000 was matching him with pianist Stefano Bollani and singer Barbara Casini, neither of whom were familiar to Woods, in a program of classics performed by the late Elis Regina, who was Woods' favorite Brazilian singer.Her voice is lovely, with wonderful emotion, clear enunciation, and flawless timing.As Woods surmised in his notes, a rhythm section would be a superfluous addition since the talented Bollani takes care of that role by himself, as well as providing a variety of interesting supporting lines for the singer and the saxophonist.The music proves to be demanding but the musicians are up to its challenges.What Is This Thing Called Love?D'Andrea's compositions may not become jazz standards, but they stand up very well to repeated listening.As are all of Phil Woods' Philology CDs, Woods Plays D'Andrea is warmly recommended.As a special tribute to his mother and father, who were very supportive of his decision to become a musician, Woods is featured in his first truly solo release.It is doubtful that many saxophonists would dare to record a CD such as this one in a single afternoon, and few label owners remain ambitious enough to support projects like this one.May 2000 for Philology) because it marks the first time he has played clarinet exclusively throughout a session.Not familiar with the work of Brazilian guitarist Irio De Paula prior to this duo date, Woods was dazzled by his stunning interpretations of the music of Antonio Carlos Jobim, so he left his alto sax in the case and opted for the warm chalumeau sound of the clarinet instead.Woods' considerable skill on the clarinet is badly underrated because he has not been heard playing it often enough, while De Paula clearly deserves wider recognition outside his native land.Producer Paolo PiangiarelliTadd Dameron for the session, which provides a spark that sets the group on fire from the start.Trumpeter Fabrizo Bosso is also up to the task of working with Woods and makes the most of the opportunity.The CD is dedicated to the memory of Woods' daughter Aimee.Woods switches to clarinet (which he never uses often enough on recordings!Someone to Watch Over Me.Ken Dryden
Phil Woods is a guest of the SWR Big Band on this German CD, which was taped live in the spring of 1996.Woods throughout the concert.Klaus Wagenleiter and a potent arco bass solo by Henning Sieverts.Phil Woods seems to rise to the occasion no matter what the setting, but the strong performance of the SWR Big Band also helps to make this a highly recommended CD.Ken Dryden
Phil Woods is actually the guest soloist on this CD by the Jazz Class Orchestra, an Italian big band led and arranged by Gabriel Corneglio.Although this can't be considered an essential CD for fans of Phil Woods, those who pick it up won't be disappointed.Woods is also a fairly prolific composer.Ken Dryden
Phil Woods recorded frequently for the Philology label during the '90s with various supporting casts, but the results were never less than excellent.Only five of the ten pieces on this CD feature Woods with both pianist Renato Sellani and bassist Massimo Moriconi, so calling this a trio date is a little misleading.Woods to his greatest heights.Ken Dryden
Phil Woods' prolific recordings for the Italian label Philology (which is named in his honor) are always enjoyable; this duo concert with pianist Enrico Pieranunzi is no exception.Hopefully, there will be many more collaborations involving these two greats.Ken Dryden
Although alto saxophone great Phil Woods made several duo sessions with pianists during the 1990s, this concert with Gordon Beck, one of the pianists from his European Rhythm Machine (the other was George Gruntz), is easily the best of the lot.Evans, honoring the legendary Bill Evans.Woods was a part of several larger groups led by Thelonious Monk, and his effortless swing makes it clear why he was chosen.With an Italian rhythm section led by the fine pianist Franco D'Andrea, Woods explores at length eight of Parker's favorites.Ken Dryden
For a brief time, Phil Woods led a formidable group that included guitarist Harry Leahey, pianist Mike Melillo, bassist Steve Gilmore, drummer Bill Goodwin, and percussionist Alyrio Lima, though this particular band was never documented extensively.Grammy, and this 1990 condensed CD reissue was barely in print over a year.CD set documents a 1989 concert with the Catania City Brass Orkestra, a group of promising young Italian musicians.Woods carries the lion's share of the solos, and while the rhythm section is competent, the reeds and brass have problems consistently staying in tune on several of the songs.Giuseppe Emmanuele, who also contributed two fine originals.While it is unfair to compare the Catania City Brass Orkestra to more established big bands, they make up in energy what they lack occasionally in polish.Woods is the guest soloist with the band, featuring Raja's potent arrangements.While none of them is likely to become a standard, they still provoke stimulating performances.This CD is definitely worth picking up.All you're doing is imitating Charlie Parker.Here, you imitate Charlie Parker.The new Swiss record label Kind of Blue has come out swinging with several fine recordings in recent months, and this set of standards recorded by alto sax great Phil Woods and his longstanding quintet is clearly a winner.Brian Lynch on trumpet, pianist Bill Charlap, bassist Steve Gilmore and drummer Bill Goodwin.Who needs another jazz standards album?Brian Lynch and pianist Bill Charlap.In his long and illustrious career, the late Woody Herman led many big bands, including several known as his Thundering Herds.Second Herd, aka The Four Brothers Band.Some of the music on this set, a selection of his charts from the late forties, was never recorded by the Herman band.Carter is a fan of both artists, so it was only natural to have the celebrated saxophonist lead this recording.Notes: Phil is a living legend on jazz alto sax.They play some of the
lesser known as well as popular jazz hits.Alto sax master Phil Woods and Jazzed Media owner and producer Graham Carter were in agreement about their affection for the music of this band.In the interest of space, I shall not list the players on the band.Suffice to say that they represent the cream of the L.Big band jazz lovers will rejoice upon hearing this recording.Shank usually plays every year.Pacific Northwest and the
Delaware Water Gap in Pennsylvania, respectively.What
a difference 45 years makes.If this
sounds like an obvious conflict, you should listen to Phil Woods and
the Los Angeles Jazz Orchestra play twelve classic arrangements by
Marty Paich.Paich is one of the unsung heroes of music as a pianist,
composer, and arranger.Phil Woods is one of the top alto sax players
in the history of the horn.The combination deserves a listen.This is not
the place for even a brief resume of Q.Steve Gilmore and Bill Goodwin were on board
when the quartet started in 1974; it became a quintet nine years later.Quincy is bound to love it.As will you, dear listener,
and not just for a spin.Phil Woods and trumpeter Carl Saunders.Bar on Flatbush Avenue in
Brooklyn.Thus, Mann and Woods account for over 100 years of combined
performing experience.Herbie Mann, Beyond Brooklyn reminds us that the
flautist wore many hats, and could really play it all.This enjoyable
release showcases him with alto saxophonist Phil Woods.This is because Mann and Woods not only shared similar
registers, sonically, but temperamentally.The song selections are smart ones, with no major statements
needed: These are two pros playing what they love to play.At The Bouquet Chorale features not just altoist Marty Nau but two of his comrades in the alto brotherhood, Vince Lardear and the great Phil Woods.Whenever
I hear Phil Woods, he reminds me of Roy Eldridge. |
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