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Ildjarn |
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Info: Biography, Pictures, Discography of all CDs & DVDs |
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| Ildjarn was a raw black metal solo project from Norway that features themes such as reverence for nature and hatred of humanity.The man behind Ildjarn is Vidar Vaaer, known to some as only "Ildjarn".As of 2006, the band website stated that no more news will be printed on the website, leading to the conclusion that Ildjarn has ended.The fact that the last release is called "Ildjarn is Dead" further leads to this conclusion.Ildjarn didn't actually record any new material after the Hardangervidda session in 1997.All material released afterwards are compilations of old and unreleased material.Has also been involved with Thou Shalt Suffer (bass, 1991), Emperor (bass, 1993), and Sort Vokter.All text is available under the terms of the GNU Free Documentation License.See Copyrights for details.Production: Portable equipment (dorm room studio).This meme of subconscious instruction captures the essential motivations and fears of human existence and orchestrates a flight between them toward an expression of essential contentment and growth in being.So natural is this mood that the music while perceptually jarring, distorted and confrontational remains intuitive to listeners who can exceed their conditioned boundaries of aesthetic.Vocals are of the vigilant warrior school of black metal, harsh and barked at a rough cadence to shove forward rhythmic focus.As Burzum once did, Ildjarn invokes dissonance and texture in both vocals and guitars, sometimes bending a monotone into uneasy harmonies or letting a howl unleashed scatter into chaos.Guitars press corrupted chord voicings to move melodies into phrasing like an earthquake under sand.Although drumming originates in a machine and is based on the alternation of two instruments within the drumkit, its construct of consistent rhythm like a heartbeat is a constant reminder of an enduring living being within the experience.Where conventional black metal aimed for narrative of clearly defined dynamic structure, Ildjarn encodes narrative within consistent arrangement to create a sense of the sublimated, embedded and secretive which matches the language of concept and shaping to each piece.The result instantiated a divergent school of metal in which an ecosystem of details conspire to shape a larger vision.Review: In a ferocious assault on music itself, Ildjarn move a trademark style of raw and hypnotic information symbolism in riff form into the realm of both extremity and noise, in which all cycles return to their origins in either peace or abrupt destruction.On this album the guitar becomes a bashing grind which gallops to a pace of escape before regressing, uneasily, into dark mood inducing rhythmic noise baths or slowly evolving ultimate minimalism in a chord, note or rumble being escalated to central metaphor.As tones saturate a new mood emerges in which change is vital and from that Ildjarn wield strength like warriors, inching alteration toward a language for each song in which a brief message of strength, will and growth like that of the transcendental consciousness of trees performing its own exegesis stabilizes before evaporation.Production: The most blackmetal sound from this band.Review: As if capturing pure motion from the majestic presence of wind, Ildjarn crest the wave of trance black metal with something so essential and unprocessed through social filters that it exceeds the limits of emotional directness for most individuals.Its selfless motion through natural patterns enforces a mathematics of reason in which the partial visions of life shown in the digital instructions of riff and battering mechanical percussion construe a force arising from its own absence to idealize existential transition alone.Svarte Hjerter (2:25)
3.Nattens Ledestjerne (2:53)
4.Sola Skjultes (2:39)
8.Energy transfers gently or abruptly, as many songs end, interrupted; storms of seeded destruction and creation anew wash through the album as conceptual unification to the disparate riffs and their insistent, human, bloodline pumping rhythm.Where human perception represents the necessarily artificial, Ildjarn explores the unitive in a natural sense where destruction and creation are the same hand and individual judgment is suspended for an organic will arising from the ecosystem as a whole.In this case the ecosystem is music that resembles the motion through a forest of a human without agenda but in the crush of mortal time.Where the physical meets the metaphysical, this raw and unrepentant sound expresses the lost art of passion like no other musical nihilism.Burzum the insidious nature of black metal's nihilism is less inductive than confrontational in an album of fast blasting material in which the major beat never varies.The Blade Flares in Red Light
9.Before my Eyes Forever
14.Making beauty from brutality requires a focus on abstract structures, here represented by the guitar riff as the only variable structural element for most of these songs.The predictable drumming establishes a basic variance to which counterpoint is introduced, anchoring a sequence of changing phrases into the same inflections of a riff.For most listeners this music is almost unlistenable: unrelenting and mostly unchanging basic flickbeats through a drum machine trot past a fiercely, cheaply, grossly distorted guitar power chording riffs built of the same basic ideas and reacharound counterpoint tendencies.Production: Digital hermetic space.Nidhogg finds familiar patterns which represent those emotions to which each piece refers, and within layers builds layers, creating logical but natural motifs which like thoughts at the horizon of sleep are accepted into consciousness as normal regardless of context.This disc, one of two, tracks the progress of a day in the part of Norwegian wilderness known as Hardangervidda, reaching from sunrise to night with each song adapted to the styles necessary to portray such a time.Hearing this album is like crossing the terrain of Hardanger as the sun slowly climbs the sky, but in each hour being able to visit any minute by going to the place where one was at that time, where a recombination of the same activity is occurring and despite its different shape from its parent, leads back into the same gesticulation of direction that was immanent in its parent.There are some obvious "ambient music typecast riffs," which exist because of their simplicity as devices for the types of mood presented by ambient music as introduction, but they fade quickly and are almost entirely absent in the final stages of this work.Hammond organ might be: with a distinctive, predictable tone (albeit here: several "standard" voices).Nidhogg entirely discard the concepts of pop music style percussion, or even percussion except accentually, and the concept of "normal length" songs; these musicianss are easily better (and fare more honest and artistic in intent: revealing the transcendent in life and the values that esteem it) than Hollywood's soundtrack masters, and their tendency toward metaphoric structure and mimetic aesthetics means that any music they create in this century will be compared to a soundtrack anyway.Production: Historical, with newer songs a cleaner but impromptu buzz of noise.Foregoing any of the more elaborate dressings given to popular music, most notoriously in progressive rock and jazz, Ildjarn distinguished itself by creating music barely distinguishable from pure noise.Three note riffs build ambience like early Tangerine Dream albums, using the simplest allure of tonal and rhythmic differential as hook, and then slowly build an atmosphere in which microscopic variations can over time redirect the entire sense and sensation of the piece toward a new direction in its evolution.For a compilation of works ranging over such a span of time, this compilation unites the past with the remaining breath that "black metal" has in the current time, demonstrating both that there is a path outside the droning directionlessness and that spirit is eternally resurgent where one cares to look, even in the smallest of symphonies.Son of the Northstar (FMP,2002)
Ildjarn confines the rampaging spontaneity of previous works into a release that resembles greatest success to date, Forest Poetry, in that these songs are almost deliberate sounding in refinements to musicianship, even in the art of making noise.Ferocity untamed but more shaped by the hands of time and repetition, this music slices sound into miniscule gasps between flaring noise, putting together punkish rhythm and random but of grand phrasing black metal riffwriting to make short songs of derangement of the senses.The energy and perceptiveness of this work give strength to an alienated blast of noise that communicates beyond the realm of more visibly musical pieces.Probably it is best to limit the expected fanbase of this album to those who are already Ildjarn fanatics.Anmarsj Gjennon Grangrunn
2.Norse League Productions,1996)
Intermediary between styles, this EP was an early experiment in making ambient noise as a cloak for black metal, and is most similar to the second Veles album of anything in that genre.Percussion and conventional song structure prefab pieces are more in evidence and, while some fully mature and strikingly evocative melody writing occurs, the hastiness of the first Hardangervidda is replaced by a kind of literalness, as if the techniques used on the first reached a plateau and a breather is being taken before the next step.While it recoils from mediocrity, it is also undecided at its very nature, and thus is, like "Landscapes," secondary to all of Ildjarn's other works and collaborations.Chill Of The Night (returning)
16.Strength and Anger 4
17.The Blade Flares in Red Light
20.Strength and Anger V (Winter Recital Version)
5.Strength and Anger VII (Hammer Torture Version)
Ending :
7.The other songs have a savagery to them that is not muted, but is internalized, as their general persona becomes less obvious and more insidiously derived, contemplatively, from its own assumptions.For those who collect Ildjarn flotsam, this is a good completist tideover.Chill of the Night (Returning)
8.The Blade Flares in Red Light
9.Brother Of The Forest
31.Skogssvinet (Beast Of The Woods)
34.Ildjarn create the sensation of looking over sequential memories of different days on a deathbed.Samoth was the session vocalist for the '92 demo, and Ihsahn, for the '93 demo.Both of them played with Ildjarn in Thou Shalt Suffer.Most Ildjarn material was recorded in the first half of the Nineties; the Hardangervidda ambient project (featuring Nidhogg) is the very last work recorded by the artist.However, demand from fans led to Ildjarn's decision to make the recordings from his vault available, as well as repressing most of his discography.Nidhogg Metal recordings were done with programmed drums.Norway or the name of the enigmatic musician behind it.Ildjarn the band was founded in 1992, but had its roots in another band, Thou Shalt Suffer, that was founded in Telemark in 1991.Thorbjoern Akkerhaugen played drums.After recording a demo and a 7" with Thou Shalt Suffer, Ildjarn took his leave for greater creative pastures.Aided periodically by Ishahn and another musician calling himself Nidhogg, Ildjarn has (depending upon who you ask) released 9 albums, 4 EPs, three demos, and even a compilation spanning the first three years of his solo band's existence.Ildjarn's albums typically contain more than 20 songs, something not seen very often among black metal bands.Then again, maybe that's the point; whereas other Norwegian bands (the aforementioned Emperor and others such as Immortal or Burzum) try to write intentionally long, "epic" songs, Ildjarn's songs are short, fast, to the point, and unambiguous.One reviewer (whose name escapes me) said Ildjarn's music is "so raw, it corrodes the soul."Some of the songs he records don't even sound complete; he'll quit recording in the middle of a song and call it done.Burroughs was in a black metal band, I think it would sound a hell of a lot like Ildjarn.Still, Ildjarn is rather unpredictable: in 1996, Ildjarn recorded an ambient keyboard album entitled Landscapes that he improvised in one night.Some sources claim Ildjarn will never release another album, while others say this is false.Ildjarn has also done session material for Emperor and played a brief role in another band called Sort Vokter.Ildjarn himself is a man of few words with a less than optimistic appraisal of the world and his place in it.When asked for his thoughts about the end of the world, he replied "I'll welcome it with all my heart" and when pressed further about his own life, he answered "hopefully I'll be dead in a few years time...He sees no distinction between good and evil, but rather that which is natural and unnatural.He is a vegan and he never touches drugs or alcohol.He claims that his "biggest fear is to live for eternity."Discography
(Note: There are many discrepancies between sources in Ildjarn's rather bizarre and extensive discography.I've tried to get it as right as possible.This comes from Ildjarn's official page, linked at the bottom.For many years now, a song from this release has been bootlegged and erroneously passed around as part of what purports to be a Burzum demo.It is occasionally rumored that the song is actually a Burzum cover of an Ildjarn track, but this is categorically false.Landscapes 1996, Norse League Productions (2 CD set limited to 250 copies.Y'know, if you login, you can write something here.You can also Create a New User if you don't already have an account.Ildjarn was a raw black metal solo project from Norway that features themes such as reverence for nature and hatred of humanity.The man behind Ildjarn is
Vidar Vaaer, known to some as only "Ildjarn".As of 2006, the band website stated that no more news will be printed on the website, leading to the conclusion that Ildjarn
has ended.The fact that the last release is called "Ildjarn is Dead" further leads to this conclusion.Ildjarn didn't actually record any new material after the Hardangervidda session in 1997.All material released afterwards are
compilations of old and unreleased material.Has also been involved with Thou Shalt Suffer (bass, 1991),
Emperor (bass, 1993), and Sort Vokter.Post a question or answer questions about "Ildjarn" at WikiAnswers.It uses material from the Wikipedia article "Ildjarn".More InfoAdd Answers to the IE7 Toolbar Search Box!Find out the different types, and ways to overcome this common problem.Do you have the answers?Band total album sales worldwide?What was the Canadian national average for gas mileage reimbursement in 2007?What do the initials LB stand for in the film rear window?Ildjarn material, recorded early 92, available on DLP and DCD
for the first time, including the debut demo in two versions.Again, be sure to
consider all the above requirements prior to your purchase.Samoth on their recordings.Following the demise of THOU SHALT SUFFER Ildjarn embarked upon the solitary ILDJARN activity and would later also enroll with EMPEROR.Later albums are exercises in minimalist electronica alongside brutal and raw Metal.Strength And Anger' would follow.However, ILDJARN releases became increasingly scarce.Hardly advertised the releases remained stockpiled in the Norse League Productions offices. |
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