| Colors, Borders, Dividers, and more...Define the effect duration in seconds below.Opacity and drop shadows.Mac offset fixes, adjust until sub menus position correctly.Reference additional onload statements here.The 'X' indicates the index number of the sub menu group or item.Taylor has had on dance.Paul Taylor grew up near Washington, DC.York City Ballet as guest artist in George Balanchine's Episodes.After retiring as a performer in 1975, Mr.President Clinton in 1993.New York the previous year.Library of Congress's Office of Scholarly Programs.Welcome to Paul Taylor's website.Please visit his discography section for sound samples and cd purchase info.Visit the Contest Section to Win Prizes.Paul is Currently touring, please check the tour dates for a concert near you!This young dancer had a commanding presence, instinctive talent, and a unique way of moving.Taylor was invited to join the Martha Graham Dance Company, where he began his professional career.Paul Taylor assembled The Paul Taylor Dance Company.Today, Taylor is considered by many to be the greatest living choreographer.Born in Wilkinsburg, PA, in 1930, Taylor had a turbulent and lonely childhood, often separated from his parents.After attending Syracuse University on scholarships in painting and swimming, he began to study dance.While still with the Martha Graham Dance Company, he danced for a number of other great contemporary choreographers, including Merce Cunningham and George Balanchine.Excited by the experimental arts of the time, Taylor became friends and collaborators with the painters Robert Rauschenberg and Jasper Johns.Taylor shared their desire to bring the vernacular into high art.For Taylor, a dance is the first step in returning the viewer to the street more aware of the beauty in the simple movements he or she sees every day.Taylor on "muscle memory."Throughout the late 50s, 60s, and 70s he performed some of the most exciting and inventive dances of the time."Duet" (1957) was an experimental piece in which Taylor stands next to a reclining woman in street clothes, and neither one moves.His later pieces combine this minimalist performance with ballet.His "Aureole" (1962) is one of the most highly respected dance works of the time for its grace and technical difficulty.Taylor continues to find his inspiration both in the streets and in the studio.In this way the choreography becomes both an individual and communal endeavor.Actors Studio
Adler, Stella
Algonquin
Armstrong, Louis
Avedon, Richard
Balanchine, George
Baldwin, James
Ball, Lucille
Bernstein, L.Curtis, Edward
Domingo, Placido
Dean, James
Dylan, Bob
Eakins, Thomas
Eastwood, Clint
Einstein, Albert
Ellington, Duke
Ellison, Ralph
Ertegun, Ahmet
Fitzgerald, Ella
Fitzgerald, F.Scott
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Forman, Milos
Franklin, Aretha
Fuller, Bucky
Garland, Judy
Gehry, Frank
Gershwin, George
Ginsberg, Allen
Gish, Lillian
Sam Goldwyn
Goodman, Benny
Graham, Martha
Grant, Cary
Greenwich Village
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Hammond, John
Hayes, Helen
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Holiday, Billie
Horne, Lena
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Jones, Quincy
Juilliard
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Kazan, Elia
Keaton, Buster
Kelly, Gene
Kertesz, Andre
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Lloyd, Harold
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Lucas, George
Luce, Henry
Mailer, Norman
Marley, Bob
May, Elaine
Meisner, Sanford
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Miller, Arthur
Mitchell, Joni
Monroe, Marilyn
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Robeson, Paul
Rockwell, Norman
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Rogers, Will
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Salt, Waldo
Scorsese, Martin
Selznick, David
Sendak, Maurice
Serling, Rod
Simon, Neil
Simon, Paul
Singer, Isaac B.Eugene
Source, The
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Stevens, George
Stieglitz, Alfred
Sturges, Preston
Styron, William
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Williams, Hank
Williams, T.For other persons named Paul Taylor, see Paul Taylor (disambiguation).Paul Taylor (born July 29, 1930) is one of the foremost American choreographers of the 20th century.He continued his studies at the Juilliard School and the American Dance Festival at Connecticut College.Charles Weidman, and Doris Humphrey.He performed in the companies of Merce Cunningham, Martha Graham, and George Balanchine, and founded the Paul Taylor Dance Company in 1954.The use of everyday gestures rather than dance moves is characteristic of his choreography.Esplanade (1975), to music by Johann Sebastian Bach, which he choreographed with a contribution from the National Endowment for the Arts.In his autobiography Private Domain (1987), Taylor states his bisexuality, but concludes that, "As far as romance goes, I can forget it."Quotes
"Sometimes I think a company's morale is more important than the choreography."Interview with Jeffrey Brown on "The News Hour with Jim Lehrer" (2007).This page was last modified 23:04, 15 December 2007.See Copyrights for details.Taylor is a giant among modern dance choreographers.Martha Graham School and the Metropolitan Opera Ballet School.United States and Europe.Canadiens, and many regional American dance companies.Loving It: Lisa Traiger profiles Paul Taylor for the Washington Post, Dec.Paul Taylor's Marvelous Melting pot: By Sarah Kaufman, The Washington Post, Dec.Rutgers University, 1997
Professor Taylor works in the areas of aesthetics, philosophy of culture, Africana philosophy, philosophy of race, social and political philosophy, and pragmatism in the United States.His current project connects John Dewey's aesthetic theory to Africana political philosophy.He is also at work on a book on Black aesthetics.Indiana University Press, 2000); and in African American Literary Theory, Winston Napier, ed.Readings On Popular Culture For Writers, 3rd ed.Sonia Maasik and Jack Solomon, eds.This is the personal website of Paul Taylor (Big Money Grip, or Big Money for short, or Money, for even shorter, but let's face it, this page only exists for search engines, so really, don't worry about it... |
