| Karl Wolf Biermann (* 15.November 1936 in Hamburg) ist ein deutscher Liedermacher und Lyriker.Exil in der Bundesrepublik
5 Nach der Wiedervereinigung
6 Sonstiges
7 Auszeichnungen
8 Werk
8.Jugend in Hamburg
Wolf Biermann ist der Sohn von Dagobert und Emma Biermann.Wolf Biermann nur dadurch, dass sich seine Mutter Emma mit ihm durch einen Sprung in den Nordkanal vor den Flammen des brennenden Stadtviertels Hammerbrook rettete.Nach dem Zweiten Weltkrieg trat Wolf Biermann den Jungen Pionieren bei und vertrat 1950 die Bundesrepublik Deutschland beim 1.Biermann begann, Gedichte und Lieder zu schreiben.Programm von Wolfgang Neuss in Frankfurt am Main auf, dessen Aufnahme als LP unter dem Titel Wolf Biermann (Ost) zu Gast bei Wolfgang Neuss (West) erschien.Preis, einen 1948 gestifteten Kulturpreis des Landes Berlin.Bundesrepublik folgten, die unter der Hand auch in der DDR verbreitet wurden.DDR eine Reisegenehmigung erteilten.Pflichten, wie von ADN am 16.Ehe Catherina (besser bekannt als Nina Hagen) in die Bundesrepublik Deutschland.Biermann sei Mitglied der KPD gewesen und habe sich erst mit dem Zusammenbruch der DDR vom Kommunismus abgewandt.PDS die Ernennung ab und enthielt sich in der entscheidenden Sitzung der Stimme.Wolf Biermann zum 115.Mobiliar in die Bundesrepublik nachgesandt.Leipzig wieder zusammen, was einst auseinandergerissen wurde.Wolf Biermann lebt und arbeitet heute im Hamburger Stadtteil Ottensen.Mittschnitt eines Konzertes vom 05.Die Grosse Drachentoeterschau in acht Akten mit Musik, 1970
Deutschland.Anfang vom Ende der DDR von Wolf Biermann und Fritz F.Grabspruch von Bob Dylan und Wolf Biermann, 2003
Das ist die feinste Liebeskunst.Shakespeare Sonette von Wolf Biermann und William Shakespeare, 2004
Heimat.Plan einer totalen Vernichtung der Akten des MfS vereitelten.Interview (Teil 2) auf SPIEGEL ONLINE, 13.Wolf Biermann: VEBiermann, 1988.Susanne Beyer: Der Schatten des Herbstes.Frankfurter Rundschau vom 23.Interview im Deutschlandfunk, 15.Wolf Biermann wirft KiWi mangelnde Sorgfalt vor.Europolitan: Wolf Biermann wechselt im Streit den Verlag.SPIEGEL ONLINE: Birthler sondierte schon vor Jahren in Sachen Biermann.Vom Regen in die Jauche?Berliner Zeitung vom 23.Maria Hagen, Nina Hagen, Oliver Schwarzkopf (Hrsg.Claus Christian Mahlzahn: Wolf Biermann.In: Claus Christian Mahlzahn: Deutschland, Deutschland.Wolf Biermann im Katalog der Deutschen Nationalbibliothek
Literaturportal.Ikarus, Neues Deutschland vom 15.Diese Seite wurde zuletzt am 9.Marke der Wikimedia Foundation Inc.Theater wird 1963 wieder geschlossen.Druck der ersten Gedichte in der Anthologie "Liebesgedichte".Einheitspartei Deutschlands (SED) abgelehnt.Berliner Kabarett "Die Distel".Wolf Biermanns aus der DDR.DDR und den Sozialismus richte.Aus der Ehe gehen zwei Kinder hervor.Insgesamt hat Biermann neun Kinder
.Sonetten Shakespeares ins Deutsche.When, in October 1983, I had the opportunity to speak with Wolf Biermann through the good offices of Helen Fehervary of Ohio State University, I hoped he would be able to speak about Hanns Eisler's life and music in a fresh and provocative way which would be appealing to a young and radical audience in the United States.Wolf Biermann was born in Hamburg in 1936.He was expelled from the Socialist Unity Party (SED) in 1963.Two years later he was forbidden to publish, record songs, or sing publicly.In 1976, following a concert in West Germany, he was stripped of his GDR citizenship and refused permission to return.Struck by how often I returned to the centrality of racial issues, he began to make loud, satirical pronouncements about the crazy American preoccupation with race.He knew I was no scholar, but I believe he trusted my political instincts and the sincerity of my commitment to Eisler's unknown music.Nevertheless, he was talking to me, and in Cleveland, and I think it is possible he wouldn't have given quite the same account under other circumstances.Part I: Meeting Eisler
When did you first hear about Hanns Eisler?It must have been pretty early in your life, correct?In this play, with this music, the agitprop movement of the 1920's was raised to a new level.No, I was never a pupil of his.But I didn't want to leave the theater entirely.Eisler like a fencing foil.In order to fence with a sledge hammer, you have to have a lot of strength!When I returned from this revolutionary act of heroism, I wrote an agitprop play in order to process intellectually what we had done wrong in practice.Then came the long years of Fascism.And it was, of course, childish to just pick up where things had left off in 1933.But is was somehow understandable, too, because the Nazis had stolen this time from our lives.We really wanted to assert our continuity.Eisler had attempted to process the Faust story on his own terms.And written his Hollywood Songbook....And now, since I had become a student again
at Humboldt University, this agitprop play was supposed to be performed there, on the occasion of the 150th anniversary of the university's founding.Meyer Ensemble, a song and dance group modeled after Soviet song and dance troupes, which quite justifiably carried the bad name of Ernst Hermann Meyer, a composer who was, so to speak, the favorite composer of the Stalinist bureaucracy, just as Johannes R.The bureaucrats regarded Brecht and Eisler with suspicion; they enjoyed then with reluctance.Since these Ernst Hermann Meyer people didn't want to do this, I had to put together a new ensemble.Humboldt University were outraged that I was strutting around with this agitprop shit at the university.They were also Ernst Hermann Meyer people and didn't like Eisler.There is a text by Brecht from the time of his first honeymoon with Marxism that isn't so well known, a very dogmatic text about the party:
Der Einzelne hat zwei Augen
Die Partei hat tausend Augen.Die Partei sieht sieben Staaten
Der Einzelne sieht eine Stadt ...And it goes on and on like that ...He'd also set it to music.Eisler had set it just as Stalinist as it was.But it was, of course, consistent with the
text, and when a genius like Eisler writes something bad, then it's brilliantly bad.You called Hanns Eisler...Biermann imitating Eisler: "But that's outrageous!"GDR at that time, which with considerable effort had pushed through New Orleans jazz in face of opposition from the cultural authorities.And now, Eisler, a heavy man, gasped his way up the stairs (he was already pretty sick by this time), and all of these professors and cultural functionaries came as well.He was happy, and had reason to be.Because his songs were living again."You must take over the leadership") in the right way, then, under Stalinist conditions, it is an extremely productive, good song!But we wanted to do our own thing.Bob Dylan in the beginning sounded like Woody Guthrie.You can't always be inventing the wheel for the first time.You're standing on other peoples' shoulders, otherwise you can't get anywhere.So I "eislered" away like crazy and it pleased him greatly.And these professors cried out to Eisler: "Don't you hear that?Because Eisler was, at the same time, the great man.You don't understand a thing!These rules, these norms of which you speak: Do you have any idea how old they are?It was a political orgasm.Part II: Eisler becomes Biermann's sponsor
Then came the building of the Wall in 1961.We founded a theater; we didn't want to disband after we had produced this political play.Plus this popular jazz ensemble.Artists, workers, students: we worked together without money and turned an abandoned movie theater in a working class district (Prenzlauer Berg), right in the midst of the big apartment houses of the workers, into a theater.In part they were enthusiastic that that which they had always preached had finally happened.He came to our theater and supported us with his big name.Later, the theater was shut down for reasons which even Eisler's clout wasn't sufficient to prevent.But in this way I had gotten to know him.Lieder, which had more to do with other traditions than with agitprop.If it had anything to do with Eisler, then at most in relation to other things he had composed.And after I had written perhaps thirty or forty of these songs (which I only performed for my friends), I summoned up the courage one day to impose on the great master and asked him for an audience so I could play my latest songs for him.And there I visited him with my guitar.Well, I came to his house on Pfeilstrasse; he was there, and was very friendly.And of course, for my first song I chose one which I thought he would like.Although I wasn't exactly suffering from an excess of modesty, I nevertheless knew where God lived and then as now Hanns Eisler was for me the great master.But he doesn't, and the next morning, as he wants to continue his trip, he hears the innkeeper say that the girl died and hadn't paid her bill.So he pays it for her and doesn't know why and drives on.And just as he passes by Rostock he thinks suddenly to himself, "if I had done something with her, certainly she wouldn't have died."During the first stanza he reserved judgment; during the second he was already squirming, and when the song was finally over he snapped harshly, "Das ist ja Dreck!"And asked, "What did she die of?"And I didn't feel like explaining to him at length that what she had died of was totally irrelevant; the important thing was that this young guy had convinced himself that she wouldn't have died if he'd done something with her."Alright then, sing another one."His facial expression relaxed a bit, he leaned back in his chair, and when the song was over, he said: "Well, that's not so bad.Come in here, there's something to hear."She came in, his attractive second wife, along with her beautiful daughter.Hilda Eisler, who edited a magazine, the most widely read publication in the GDR because both naked women and the naked truth were occasionally presented in it.He wanted to promote me.He was as happy as a kid and, in an exaggerated manner, now found everything I'd done as wonderful as he'd found it awful at first.Viennese usage doesn't mean a great deal.You gave him some hope, perhaps.Indeed, he'd kept his word and everybody was there.I'll say which ones you're singing.And I thought, oh no, here he goes again.In spite of the fact that in Viennese usage this word doesn't mean that much, I think it showed how carefully he dealt with me.He had evidently rewound the tape he had of me in his mind and, in light of his subsequent impressions, had heard the first song again, with an ear that no longer expected agitprop songs, which is where he knew me from.That is to say, he was obviously disappointed at first in false expectation.He took such care in dealing with me, a young person, so as not to confuse my standards of judgment.Because for me, this first song was a good song, and still is a good song today.Incidentally, there is a tape recording of this evening which Hans Bunge made.Deutsches Theater,
then someone was supposed to write about me, then I was supposed to be promoted on TV, and so on.The cultural bureaucracy, in all of its stupidity, nevertheless had a good nose, and it smelled something.Then began the difficult struggles over which songs I was allowed to sing and where.But Eisler nevertheless came to the conclusion that it would be too dangerous to train me formally in music.He had been around a while and knew that when one leaves this land of original, creative innocence through education, when one bites into the apple of knowledge, then it normally occurs that one gets the obligatory kick out of paradise.In the process, most lose the apple from which they'd eaten and never find it again.Then you have a chance of returning on a higher level to the paradise of original innocence.Most remain stuck in the second phase, and he was probably worried that the same thing could happen to me.So I remained "ignorant" in this regard, i.And in the end, perhaps better than if I had become totally stupid though somewhat more intelligent.Or, rather, more educated.But since I also write poetry, do concerts, make records, i.Part III: Eisler's brother, Gerhart
That Hanns Eisler himself was at least as contradictory as the times in which he lived isn't really surprising in his case.If one knows what kind of family he came from and how drastically the historical conflicts were reflected within his own family, then it's self evident that Eisler belonged to those who were deeply torn.In any case, it was an advantageous opportunity to bring Thaelmann down; he lost his position as chairman of the KPD, was thrown out of the leadership and was supposed to be excluded from the party altogether.In reality it wasn't a matter of his person but of the politics he represented, which led to a situation in which the KPD, shortly before the Fascist takeover in 1933, was chiefly preoccupied with struggling against its SPD comrades who were labeled "social fascists."November 1932, when the Communists marched together with the Fascists against the Social Democrats.So, in 1928 Thaelmann had been thrown out of the saddle; he had fallen on his face.But a short time later, with the aid of Moscow's long arms, he was put back in charge.One of them, a doctor, was sent to Argentina and played into the hands of the Fascists who put out three hundred cigarettes on his body and thereby drove him insane.Gerhart Eisler struggled his way through the world in despair, beaten and misused by his comrades, but at the same time with a sacred conviction that he had to do something for the world revolution no matter where he was.Gerhart Eisler escaped in an adventurous and delightfully impudent way.He slipped past his American guards and, armed with a large bouquet of flowers, went boldly onto a Polish ship, managed to get up on deck, lay down in a deck chair, and only once the ship was well underway did anyone realize what kind of passenger they had on board.The ship was en route to England; in England there are English laws, and he was lucky.He got to Poland, but now where was he supposed to go?In the Western world he had no chance, and in East Germany a man had come to power in the meantime, one of the few who had stuck by Thaelmann in 1928.And he did it with such exaggerated vehemence, with so such venom, with such a shrill voice, that he accomplished an impossible feat: he became even more hated than Ulbricht among the people.But with the other he saw what no one else knew: why everything had happened this way.He knew too much to despise his brother."By chance I have been spared.If my luck runs out, I am lost.Eisler is part of the most precious legacy which they must appropriate.Originally published in "Communications", Vol.Die blaue Blume (1995) Mensch Biermann!Warte nicht auf bess're Zeiten...Himself (Friend of Robert Havemann)...Episode dated 10 November 2002 (2002) TV episode ....WM 1954, Das (1994) (TV) ....They will be examined and if approved will be included in a future update.With our Resume service you can add photos and build a complete resume to help you achieve the best possible presentation on the IMDb.Wolf Biermann, the rebel voice of the
proletariat, was banished to the West by the East German government.Allen Ginsberg dropped by and declared him an honorary
member of the Beat Generation.He joined the Berlin Ensemble, the experimental theatre company founded by
Brecht.He composed songs about communal farming, the end of racism and
world peace.Biermann recently told Die Zeit. |
