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Info: Biography, Pictures, Discography of all CDs & DVDs |
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| Download ringtones Manual (New!Enter your phone number.Receive SMS with a special code.Much more direct tracks,
less dark but always very nocturnal where the laptop electronica takes over.One would think of click and cuts minimalist movement; not only with the microscopic precision of the rhythmic compositions, but also with its work on the sound and of its spatialization, but escapes its hermetism and offers a much more sensual version.One thinks of Plastikman after a training course with Techno Animal, Scorn or Pan Sonic.Including 2 remixes by Flint Glass and Oil 10.Unidentified beeps and clear noises come and go, and give the entertaining rhythm to this imaginary journey between fiction and hallucination.This
album is less dark and more minimalistic, including remixes by Flint
glass and Oil10.Dreamsmaker, Dashboard and Sous Surveillance are just
some of the titles of interesting songs on Itching.Today musician writes music for the contemporary choreographic settings and televisions, and also are removed documentary films about the dancing companies and vanguard ballet perfomansakh.Canadian VROMB, and this immediately strikes.All tracks on the album are similar to each other and among them it is complicated to isolate strong or weak.Before us notable person work, but not best among last relizov leybla Brume Records, that became for me one of the main discoveries in the outgoing year.Composer Laurent Perrier has a quite active musical past.Nox (where he was a percussionist, guitarist and a singer).Esplendor Geometrico, but in a more updated and atmospheric form.Here we have slow fractured rhythms mixed with stuttering glitch electronics and technoid sounds.The album ends with 2 remixes, one from Oil 10 and one from Flint Glass.Laurent Perrier of France.One man many approaches.Many of us coming from club scenes and raves may be thumped out on electronic music that moves the body but does little for the brain.The bass is hypnotic as it slowly builds up straining to exert itself.Laurent Perrier keeps a strong hold on the bass creating tension and a feeling of restraint through his control.Surrounding these subsonic echoes booming out of nothingness are swooping synthesizers and a variety of percussive and rhythmic elements.The architecture of the songs build slowly and with intent.What start out minimalist mutates into a complex dance of electronics.The rhythmic elements breathe life into the music and offer a counterpoint to the strictly constrained bass at the core of each song.All of these elements weave together to create a dense yet comprehendible whole.The music is also embedded with a degree of intelligence.Radical Faeries with an existing interest in electronica music.Especially those of you out there that are looking for something original and intelligent that deviates from the same old tired electronica.Futurists and people with an established interest in cutting edge experimental electronic music should try this album out as well.Brume Records continue to sustain us with new and original electronic music.Brian Eno, Harold Budd y toda la saga de Obscure, al mismo tiempo que se reivindica a Kraftwerk o Terry Riley.Laurent Perrier has quite a colourful and intense history in electro musical scene.After being a musician in a punk groups, opened his own record label (Odd Size), CD store and produced 20 albums (untill he ended with the Odd Size in 1998), he began working on other musical projects.He collaborates with various palette of artists: musicians, coreographers, video artists, etc.Electronicat from 2001, he offers electronic music enthusiasts Itching.The music brings you overall that sense of certain minimalism (although there are plenty of different sounds and mixages) and ambience.Un vrai travail de composition.Flint Glass et Oil 10 tout aussi convaincants.Die ewige Wiederholung macht die Werke zu eindringlichen und intensiven Momenten.Perle intellektueller elektronischer Musik.Perrier eschewing abrasive noise for generally restrained fields of alien, mutating design.The piece grinds and stutters like a monstrous machine, with tearing and creaking noises emerging in layered waves that make it sound like an industrial apparatus being broken apart lever by lever.The pieces unfold glacially and aspire to induce hypnotic states in the listener, and succeed at doing so (though, admittedly, the very fact of attending so intently to such a slow and minimal unfurl for fifty minutes almost guarantees hypnosis): downfall begins with a softly rumbling bass tone which ever so gradually swells.The material is so subtly handled that the sudden appearance of a starburst fifteen minutes in arrives with a jolt.The loops, especially when the rhythms are so locomotive in character, often suggest trains advancing and then receding.Like downfall, disperse rises to a gargantuan pitch at its close but the effect is more restrained and therefore less harrowing.Gradually, the tonal mass becomes so dense, the underlying elements are rendered nearly inaudible, but the upper layers eventually dissolve as the piece nears its end, enabling the bass to be heard just as clearly as when the piece began.Cape Fear and ran the Odd Size label and store
He is now recording under this pseudonym, and also uses the alias Heal.Composed, produced and mixed by Laurent Perrier at Odd Sound.Laurent Perrier : electronics, treatments. |
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